Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/28476
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dc.contributor.authorMonroy, E-
dc.contributor.authorOrgs, G-
dc.contributor.authorSagiv, N-
dc.date.accessioned2024-03-05T09:39:02Z-
dc.date.available2023-11-30-
dc.date.available2024-03-05T09:39:02Z-
dc.date.issued2023-11-30-
dc.identifierORCiD: Guido Orgs https://orcid.org/0000-0003-3725-3979-
dc.identifierORCiD: Noam Sagiv https://orcid.org/0000-0002-0538-8281-
dc.identifier1165143-
dc.identifier.citationMonroy, E., Orgs, G. and Sagiv, N. (2023) 'Aesthetic preference in the production of image sequences', Frontiers in Psychology, 14, 1165143, pp. 1 - 12. doi: /10.3389/fpsyg.2023.1165143.en_US
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/28476-
dc.descriptionData availability statement: The raw data supporting the conclusions of this article will be made available by the authors, without undue reservation.en_US
dc.descriptionSupplementary material: The Supplementary Material for this article can be found online at: https://www.frontiersin.org/articles/10.3389/fpsyg.2023.1165143/full#supplementary-material-
dc.description.abstractIntroduction: This research uses the production method to study aesthetic preference for sequences of human body postures. In two experiments, participants produced image sequences based on their aesthetic preferences, while we measured the visual aesthetic features displayed in the compositions. Methods: In Experiment 1, participants created static image sequences based on their preferences. In Experiment 2, participants sorted images into apparent motion sequences they preferred to view. Results: In Experiment 1, good continuation of successive bodies and body-like objects was the preferred order. In Experiment 2, participants preferred abstract images with local sequential symmetry and human body postures exhibiting global sequential symmetry. Discussion: Our findings are compared to those of previous studies that employed the more widely used method of choice. Our experiments propose novel methods and conceptualizations for investigating aesthetic preferences for human body movement and other types of stimulus sequences.en_US
dc.description.sponsorshipFellowships awarded to EM by the Colombian Administrative Department of Science, Technology, and Innovation (Colciencias) and Universidad del Norte.en_US
dc.format.extent1 - 12-
dc.format.mediumElectronic-
dc.languageEnglish-
dc.language.isoen_USen_US
dc.publisherFrontiers Mediaen_US
dc.rightsCopyright © 2023 Monroy, Orgs and Sagiv. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.-
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.subjectempirical aestheticsen_US
dc.subjectmethod of productionen_US
dc.subjectbody perceptionen_US
dc.subjectgood continuationen_US
dc.subjectsymmetryen_US
dc.titleAesthetic preference in the production of image sequencesen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.3389/fpsyg.2023.1165143-
dc.relation.isPartOfFrontiers in Psychology-
pubs.publication-statusPublished-
pubs.volume14-
dc.identifier.eissn1664-1078-
dc.rights.licensehttps://creativecommons.org/licenses/by/4.0/legalcode.en-
dc.rights.holderMonroy, Orgs and Sagiv-
Appears in Collections:Dept of Life Sciences Research Papers

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