Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/23072
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dc.contributor.authorMonroy, E-
dc.contributor.authorImada, T-
dc.contributor.authorSagiv, N-
dc.contributor.authorOrgs, G-
dc.date.accessioned2021-08-12T16:05:57Z-
dc.date.available2021-08-12T16:05:57Z-
dc.date.issued2021-03-23-
dc.identifier.citationMonroy, E., Imada, T., Sagiv, N. and Orgs, G. (2021) ‘Dance Across Cultures: Joint Action Aesthetics in Japan and the UK’, Empirical Studies of the Arts, 40 (2), pp. 209 - 227 (19). doi: 10.1177/02762374211001800.en_US
dc.identifier.issn0276-2374-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/23072-
dc.description.abstractCopyright © The Author(s) 2021. Western European and East Asian cultures show marked differences in aesthetic appreciation of the visual arts. East Asian aesthetics are often associated with a holistic focus on balance and harmony, in contrast to Western aesthetics, which often focus on the expression of the individual. In this study, we examined whether cultural differences also exist in relation to the aesthetics of dance. Japanese and British participants completed an online survey in which they evaluated synchronous and asynchronous dance video clips on eight semantic differential scales. We observed that the aesthetics of group dance depend on cultural background. Specifically, British participants preferred asynchronous over synchronous dance whereas Japanese participants equally liked synchronous and asynchronous dance movement. For both cultures, preferences were based on distinct semantic associations with movement synchrony. We argue that cultural differences in aesthetic perception of group dance relate to the culturally specific social signals conveyed by unison movement.en_US
dc.description.sponsorshipESRC transformative research grant (ES/M000680/2) on “Synchronous movement, cooperation, and the Performing Arts”; Colombian Administrative Department of Science, Technology and Innovation (Colciencias); Universidad del Norte.en_US
dc.format.extent209 - 227 (19)-
dc.format.mediumPrint-Electronic-
dc.language.isoenen_US
dc.publisherSAGE Publicationsen_US
dc.rightsThis article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).-
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.subjectaesthetic perceptionen_US
dc.subjectdanceen_US
dc.subjectcross-cultural psychologyen_US
dc.subjectJapanen_US
dc.subjectUnited Kingdomen_US
dc.titleDance Across Cultures: Joint Action Aesthetics in Japan and the UKen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1177/02762374211001800-
dc.relation.isPartOfEmpirical Studies of the Arts-
pubs.issue2-
pubs.publication-statusPublished-
pubs.volume40-
dc.identifier.eissn1541-4493-
Appears in Collections:Dept of Life Sciences Research Papers

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