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dc.contributor.authorMorrison, J-
dc.date.accessioned2014-08-04T10:29:59Z-
dc.date.available2014-08-04T10:29:59Z-
dc.date.issued2014-
dc.identifier.citationAmerican, British and Canadian Studies, 21(1), 10 - 29, 2014en_US
dc.identifier.issn1841-964X-
dc.identifier.urihttp://www.degruyter.com/view/j/abcsj.2014.21.issue-1/abcsj-2013-0017/abcsj-2013-0017.xmlen
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/8814-
dc.descriptionThis is an open access article. Copyright © 2014 by Walter de Gruyter GmbH.en_US
dc.description.abstractRecent years have seen several attempts by writers and critics to understand the changed sensibility in post-9/11 fiction through a variety of new -isms. This essay explores this cultural shift in a different way, finding a ‘turn to precarity’ in twenty-first century fiction characterised by a renewal of interest in the flow and foreclosure of affect, the resurgence of questions about vulnerability and our relationships to the other, and a heightened awareness of the social dynamics of seeing. The essay draws these tendencies together via the work of Judith Butler in Frames of War, in an analysis of Trezza Azzopardi’s quasi-biographical study of precarious life, Remember Me.en_US
dc.language.isoenen_US
dc.publisherDe Gruyteren_US
dc.subject9/11en_US
dc.subjectAffecten_US
dc.subjectAgeingen_US
dc.subjectTrezza Azzopardien_US
dc.subjectJudith Butleren_US
dc.subjectFictionen_US
dc.subjectHomelessnessen_US
dc.subjectPrecarityen_US
dc.subjectRemember meen_US
dc.subjectZadie Smithen_US
dc.titleThe turn to precarity in twenty-first century fictionen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.2478/abcsj-2013-0017-
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Appears in Collections:English and Creative Writing
Dept of Arts and Humanities Research Papers

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