Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 147
Issue Date | Title | Author(s) |
2017 | A critical review of four novels: Hitman, The Fixer, Baptism and Sacrifice | Kinnings, Max |
2016 | Unpacking the industrial, cultural and historical contexts of Doctor Who's fan-producers | Adams, Mark Richard |
2011 | Hacking traditional instruments: approaches to sound-oriented instrumental composition | Morales Murguía, Hugo |
2014 | The professional officer class in post-war cinema – or how British films learned to stop worrying and love the affluent society | Roberts, Andrew |
2017 | The culture of ‘the Culture’: utopian processes in Iain M. Banks’s space opera series | Norman, Joseph S |
2013 | Playing against the grain: Rhetorics of counterplay in console based first-person shooter videogames. | Meades, Alan Frederick |
2014 | Has the fire burned out? New Labour and the end of British Social Realism | Nwonka, Clive, James |
2014 | A linguistic analysis of Francis Bacon's contribution to three Shakespeare plays: the comedy of errors, love's labour's lost, and the tempest | Clarke, Barry R |
2011 | Towards a new aesthetic in contemporary instrumental ensemble, vocal and chamber opera composition | Thompson, Shirley J |
2015 | Shakespearean biografiction: how modern biographers rely on context, conjecture and inference to construct a life of the Bard | Kevin, Gilvary |
2015 | Factions and class fictions: investigating narratives of resistance in representations of lower-class men in post-War British literature in the New Wave & Thatcherite years & If I’m ever to find these trees meaningful I must have you by the thighs: a collection of poems | Smith, Wayne |
2014 | After Postmodernism: Contemporary theory and fiction | Tsoulou, Martha |
2015 | Digital performance: how representations of physical and virtual bodies inform identity construction/deconstruction | Ren, Helenna |
2016 | The Gift of Death, or, Beyond the Beneficent Spider: A novel & associated critical exposition | Tew, Philip |
2014 | Communicative semiotics in everyday life (Cultural criticism – the image in the 21st century) | Fidouh, Dalel |
2016 | Trajectories, thresholds, transformations: Coming of age in classic modern fantasy fiction | Ersoy, Gozde |
2015 | The representation of the Iraq War in selected Anglo-American and Iraqi novels | Mohammed, Pshtiwan Faraj |
2015 | 'Liberties and licences': gender, stream of consciousness and the philosophy of Henri Bergson and William James in selected female modernist fiction 1914-1929 | Saeed, Alan Ali |
2015 | Early screenwriting teachers 1910-1922: Origins, contribution and legacy | Curran, Stephen Charles |
2016 | From virtuoso solo to ensemble opera | Tafreshipour, Amir Mahyar |
2016 | Paradigms, perspectives and participation: reconceptualising amateur orchestras as unique socio-musical communities of practice | Arrowsmith, James Donald |
2015 | A critical review of four novels by Celia Brayfield considering their production and impact in the context of contemporary literature | Brayfield, Celia |
2015 | Composing with an expanded instrumental palette | McGuire, Paul |
2015 | News values in online and visual data journalism | Dick, Murray |
2015 | From buddy movie to bromance | Vaughan, Nicola |
2014 | Collaborative computer music composition and the emergence of the computer music designer | Faia-Harrison, Carl |
2015 | A portfolio of compositions with commentary | Muenz, Harald |
2015 | Imaginative truth: biographical narratives inspired by the lives of six lone older women with critical commentary | Filtness, Emma Laura |
2014 | Off the edge | Stoneham, Luke |
2015 | Actions towards freedom: Theoretical and practical perspectives on improvisation and composition | Hall, Andrew |
2015 | A return to 'the great variety of readers’: the history and future of reading Shakespeare | Williams, Robin P. |
2013 | Q1 and Q2 Hamlet Evidence old and new, a case for a revised Q2 | Jolly, Emma Margrethe |
2014 | Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performance | Macias-Gutierrez, Elizabeth |
2014 | In the name of the father: Manliness, control and social salvation in the works of George MacDonald | Neophytou, Jenny |
2013 | Novelists and women in WW1: Challenging traditional binarisms – A critical essay and half painted war: an original novel | Philo-Gill, Samantha Adele |
2011 | Material agency and performative dynamics in the practices of media art | Tränkle, Marion |
2014 | Body, time, and the others: African-American anthropology and the rewriting of ethnographic conventions in the ethnographies by Zora Neale Hurston and Katherine Dunham | Volpi, Serena Isolina |
2014 | Karnatic rhythmical structures as a source for new thinking in western music | Reina, Rafael |
2014 | Mnemophrenia: a science fiction film-essay on the future of cinema and artificial memories | Konstantinidou, Eirini |
2007 | The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques | Niles, Richard |
2012 | Noise poetics: A flow of cuts | Jones, Nathan |
2012 | New sounds and extended composition techniques | Ohara, Yuko |
2013 | Pure Mafia - a novel about child labour, plus thesis and commentary | Ahmad, Rohail |
2012 | Sight, sound, the chicken and the egg: Audio-visual co-dependency in music | Katan, Simon |
2013 | Form and freedom: the marriage of musical systems and intuition | Gotham, Nicholas |
2012 | Looking at sound / listening to image | Kolsoe Ágústsdóttir, Hallveig Guony |
2013 | Angolan body painting performances: Articulations of diasporic dislocation, postcolonialism and interculturalism in Britain | Cuxima-Zwa, Chikukuango Antonio |
2013 | Combining musical identities through composition and improvisation | Perks, Richard |
2013 | A holistic view of the creative potential of performance practice in contemporary music | Lüneburg, Barbara |
2012 | The suspension of disbelief in videogames | Brown, Douglas; William |
Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 147