Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/7795
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dc.contributor.authorGaston, S-
dc.date.accessioned2013-12-11T10:34:22Z-
dc.date.available2013-12-11T10:34:22Z-
dc.date.issued2012-
dc.identifier.citationDerrida Today, 5(1), 21-38, 2012en_US
dc.identifier.issn1754-8500-
dc.identifier.urihttp://www.euppublishing.com/doi/abs/10.3366/drt.2012.0026en
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/7795-
dc.descriptionCopyright @ 2012 Edinburgh University Pressen_US
dc.description.abstractPrompted by Derrida’s work on the animal-fable in eighteenth-century debates about political power, this article examines the role played by the fiction of the animal in thinking of pity as either a natural virtue (in Rousseau’s Second Discourse) or as a natural passion (in Mandeville’s The Fable of the Bees). The war of fables between Rousseau and Mandeville – and their hostile reception by Samuel Johnson and Adam Smith – reinforce that the animal-fable illustrates not so much the proper of man as the possibilities and limitations of a moral philosophy that is unable to address the political realities of the state.en_US
dc.language.isoenen_US
dc.publisherEdinburgh University Pressen_US
dc.titleThe fables of pity: Rousseau, Mandeville and the animal-fableen_US
dc.typeArticleen_US
pubs.organisational-data/Brunel-
pubs.organisational-data/Brunel/Brunel Active Staff-
pubs.organisational-data/Brunel/Brunel Active Staff/School of Arts-
pubs.organisational-data/Brunel/Brunel Active Staff/School of Arts/English-
pubs.organisational-data/Brunel/University Research Centres and Groups-
pubs.organisational-data/Brunel/University Research Centres and Groups/School of Arts - URCs and Groups-
pubs.organisational-data/Brunel/University Research Centres and Groups/School of Arts - URCs and Groups/Brunel Centre for Contemporary Writing-
Appears in Collections:English and Creative Writing
Dept of Arts and Humanities Research Papers

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