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Full metadata record
DC Field | Value | Language |
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dc.contributor.author | Griffith, FL | - |
dc.coverage.spatial | 16 | en |
dc.date.accessioned | 2007-05-09T11:24:03Z | - |
dc.date.available | 2007-05-09T11:24:03Z | - |
dc.date.issued | 2006 | - |
dc.identifier.citation | Journal of British Cinema and Television 3(2), Nov 2006 | en |
dc.identifier.uri | http://www.eup.ed.ac.uk/journals/content.aspx?pageId=1&journalId=12153 | en |
dc.identifier.uri | http://bura.brunel.ac.uk/handle/2438/743 | - |
dc.description.abstract | Sir John Dankworth, the eminent English composer, conductor, bandleader and jazz musician has written in many genres, including composing over 20 film scores. Of these, Saturday Night and Sunday Morning (1960), The Criminal (1960), The Servant (1963) and Darling (1965) in particular, played a major role in bringing about a new sound in British film during the 1960s. This interview explores Sir John Dankworth's contribution to this innovative Film genre through his jazz-influenced musical scores. | en |
dc.format.extent | 50993 bytes | - |
dc.format.mimetype | application/pdf | - |
dc.language.iso | en | - |
dc.publisher | Edinburgh University Press | en |
dc.subject | Jazz film scores | en |
dc.subject | 1960s British film | en |
dc.title | Jazz in British new wave cinema - An interview with Sir John Dankworth | en |
dc.type | Research Paper | en |
Appears in Collections: | Music Dept of Arts and Humanities Research Papers |
Files in This Item:
File | Description | Size | Format | |
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DankwortharticleJP.pdf | 49.8 kB | Adobe PDF | View/Open |
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