Smashed hits: Overview

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/4107

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DC Field	Value	Language
dc.contributor.author	Petley, J	-
dc.date.accessioned	2010-02-12T15:29:28Z	-
dc.date.available	2010-02-12T15:29:28Z	-
dc.date.issued	1998	-
dc.identifier.citation	Index on Censorship. 27(6): 10-19	en
dc.identifier.issn	0306-4220	-
dc.identifier.uri	http://bura.brunel.ac.uk/handle/2438/4107	-
dc.description.abstract	Though its trials are less monitored and recorded, music is no less subject to censorship than other forms of artistic expression, and the methods are much the same. These run the usual gamut from killing or imprisonment to banning the works themselves, and thence into that nebulous domain in which 'taste' and market forces are the engines of restriction.	en
dc.language.iso	en	en
dc.publisher	Taylor & Francis	en
dc.title	Smashed hits: Overview	en
dc.type	Research Paper	en
dc.identifier.doi	http://dx.doi.org/10.1080/03064229808536446	-
Appears in Collections:	Dept of Social and Political Sciences Research Papers

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