Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/28605
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dc.contributor.authorColeman, J-
dc.date.accessioned2024-03-21T19:36:34Z-
dc.date.available2024-03-21T19:36:34Z-
dc.date.issued2022-12-30-
dc.identifierORCiD: Josephine Coleman https://orcid.org/0000-0002-0650-474X-
dc.identifier.citationColeman, J. (2022) 'Radio Modernisms: Features, Cultures and the BBC, Aasiya Lodhi and Amanda Wrigley (eds)', Radio Journal:International Studies in Broadcast & Audio Media, 20 (2), pp. 256 - 258. doi: 10.1386/rjao_00065_5.en_US
dc.identifier.issn1476-4504-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/28605-
dc.descriptionBook Reviewen_US
dc.description.abstract2022 marks 100 years of British public service radio broadcasting. A series of special events, social engagement projects and publications are drawing attention to this significant milestone in the history of the BBC: a cultural institution which cut its teeth when literary modernism was trending in the arts challenging grand narratives, mass media were on the rise and a second world war was around the corner. A century on and the BBC could be facing a radical overhaul, hence Radio Modernisms is a must-read for the wealth of historical details and critical perspectives it provides on how artistic and innovative outputs emerge in response to disruptions in everyday life and international politicsen_US
dc.format.extent256 - 258-
dc.format.mediumPrint-Electronic-
dc.languageEnglish-
dc.language.isoenen_US
dc.publisherIntellecten_US
dc.rightsCopyright © Josephine Coleman, 2022. The definitive, peer reviewed and edited version of this article is published in Radio Journal:International Studies in Broadcast & Audio Media, 20 (2), pp. 256 - 258, 2022, https://doi.org/10.1386/rjao_00065_5. Authors may deposit their accepted manuscript in a non-commercial, institutional or subject repository upon publication, but access to this must be restricted until the end of the embargo period (12 months after the final version has been published and distributed). Any exceptions must be agreed in writing with Intellect. The author is not permitted to post, print, or otherwise distribute the journal’s version of record/final published version at any time without permission. (see: https://www.intellectbooks.com/licence-and-usage-policy).-
dc.rights.urihttps://www.intellectbooks.com/licence-and-usage-policy-
dc.titleRadio Modernisms: Features, Cultures and the BBC, Aasiya Lodhi and Amanda Wrigley (eds)en_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1386/rjao_00065_5-
dc.relation.isPartOfRadio Journal:International Studies in Broadcast & Audio Media-
pubs.issue2-
pubs.publication-statusPublished-
pubs.volume20-
dc.identifier.eissn2040-1388-
dc.rights.holderJosephine Coleman-
Appears in Collections:Dept of Arts and Humanities Research Papers

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FullText.pdfCopyright © Josephine Coleman, 2022. The definitive, peer reviewed and edited version of this article is published in Radio Journal:International Studies in Broadcast & Audio Media, 20 (2), pp. 256 - 258, 2022, https://doi.org/10.1386/rjao_00065_5. Authors may deposit their accepted manuscript in a non-commercial, institutional or subject repository upon publication, but access to this must be restricted until the end of the embargo period (12 months after the final version has been published and distributed). Any exceptions must be agreed in writing with Intellect. The author is not permitted to post, print, or otherwise distribute the journal’s version of record/final published version at any time without permission. (see: https://www.intellectbooks.com/licence-and-usage-policy).187.61 kBAdobe PDFView/Open


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