Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/26290
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dc.contributor.authorLockyer, S-
dc.contributor.authorDe Benedictis, S-
dc.date.accessioned2023-04-20T08:32:50Z-
dc.date.available2023-04-20T08:32:50Z-
dc.date.issued2023-04-02-
dc.identifierORCID iDs: Sharon Lockyer https://orcid.org/0000-0002-4941-8067; Sara De Benedictis https://orcid.org/0000-0002-1998-1078.-
dc.identifier.citationLockyer, S. and De Benedictis, S. (2023) 'Performing pregnancy: Comic content, critique and ambivalence in pregnant stand-up comedy', International Journal of Cultural Studies, 26 (3), pp. 343 - 361. doi: 10.1177/13678779231166444.en_US
dc.identifier.issn1367-8779-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/26290-
dc.description.abstractCopyright © The Author(s) 2023. Stand-up comedy has recently become a primary site where representations of pregnancy are increasingly prevalent. Yet little academic work focuses on pregnant stand-up comedians and their performances. Taking an interdisciplinary approach, this article examines the cultural work of pregnant stand-up comedy. Thematic analysis of pregnant stand-up comedy by Amy Schumer, Ellie Taylor and Ali Wong identifies three significant features characterising the performances: (1) Comedic Corporeality, Vulgarity and Ambiguity; (2) Breaking Silences through the ‘Unruly Expectant Mother’; and (3) Critiquing Maternity Inequality through Pregnant Stand-Up? We examine how pregnant stand-up comedy interacts with and disrupts dominant cultural pregnancy representations, illustrating how pregnancy functions simultaneously as comic content and critique in the performances. Such comic content and critique are characterised by complexity as ambivalence is central to pregnant stand-up comedy. We argue it is precisely such ambivalence that provides productive means to understand the cultural and theoretical significances of pregnant stand-up comedy.en_US
dc.description.sponsorshipThe author(s) received no financial support for the research, authorship, and/or publication of this article.en_US
dc.format.extent343 - 361-
dc.format.mediumPrint-Electronic-
dc.language.isoen_USen_US
dc.publisherSAGE Publicationsen_US
dc.rightsCopyright © The Author(s) 2023. Rights and permissions: Creative Commons License (CC BY 4.0). This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).-
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.subjectpopular feminismen_US
dc.subjectpregnant stand-up comedyen_US
dc.subjectAmy Schumeren_US
dc.subjectEllie Tayloren_US
dc.subjectAli Wongen_US
dc.subjectambivalenceen_US
dc.titlePerforming pregnancy: Comic content, critique and ambivalence in pregnant stand-up comedyen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1177/13678779231166444-
dc.relation.isPartOfInternational Journal of Cultural Studies-
pubs.issue3-
pubs.publication-statusPubished-
pubs.volume26-
dc.identifier.eissn1460-356X-
dc.rights.holderThe Author(s)-
Appears in Collections:Dept of Social and Political Sciences Research Papers

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