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Issue Date | Title | Author(s) |
---|---|---|
2014 | Opening offer or contractual obligation? On the prescriptive function of notation in music today | Fox, C |
2014 | Collaborative computer music composition and the emergence of the computer music designer | Faia-Harrison, Carl |
2016 | Paradigms, perspectives and participation: reconceptualising amateur orchestras as unique socio-musical communities of practice | Arrowsmith, James Donald |
2011 | Discovering, creating and experiencing notions of theatricality in musical performance | Emfietzis, Grigorios |
2017 | A pluralistic spectrum of the mimetic | Flett, Graham |
2011 | Towards a new aesthetic in contemporary instrumental ensemble, vocal and chamber opera composition | Thompson, Shirley J |
2018 | Wonder, grain, silence and notation: Commentary on a portfolio of compositions | Brignall, Oliver |
2019 | An existentialist frame for singing and singing teaching | Clethero, Sara |
2019 | Quantum Music – Towards a unified aesthetic | Bell, Adam |
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