Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/23360
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dc.contributor.authorMitra, R-
dc.date.accessioned2021-10-25T11:59:49Z-
dc.date.available2021-10-25T11:59:49Z-
dc.date.issued2022-02-07-
dc.identifier.citationMitra, R. (2021) 'Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Gender', Dance Research Journal, 53 (3), pp. 6–24. doi: 10.1017/S0149767721000358.en_US
dc.identifier.issn0149-7677-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/23360-
dc.format.extent6 – 24-
dc.format.mediumPrint=Electronic-
dc.language.isoen_USen_US
dc.publisherCambridge University Pressen_US
dc.rightsThis material has been published in revised form in Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Gender by Mitra, R., https://doi.org/10.1017/S0149767721000358. This version is free to view and download for private research and study only. Not for re-distribution or re-use. Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Dance Studies Association.-
dc.titleUnmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Genderen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1017/S0149767721000358-
dc.relation.isPartOfDance Research Journal-
pubs.publication-statusPublished-
pubs.volume53-
dc.identifier.eissn1940-509X-
Appears in Collections:Dept of Arts and Humanities Research Papers

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