Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/21679
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dc.contributor.authorFox, C-
dc.date.accessioned2020-10-23T13:09:40Z-
dc.date.available2020-10-01-
dc.date.available2020-10-23T13:09:40Z-
dc.date.issued2020-10-
dc.identifier.citationTempo (United Kingdom), 2020, 74 (294), pp. 3 - 4en_US
dc.identifier.issn0040-2982-
dc.identifier.issnhttp://dx.doi.org/10.1017/S0040298220000340-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/21679-
dc.description.abstractBecause of TEMPO’s quarterly schedule these editorials tend to avoid anything too topical but, regrettably, it seems likely that when this issue is published the world will still be dealing with the effects – medical, social and economic – of the Covid-19 pandemic. For musicians, as for everyone else, the pandemic has been a catastrophe: so many marvellous performers and composers struck down by the virus; all those cancelled concerts, festivals and premieres; the devastating financial impact of all those lost fees. So how should we recover? How will we be beginning to recover when this issue arrives on people’s screens or through their letter-boxes?en_US
dc.format.extent3 - 4-
dc.language.isoenen_US
dc.publisherCambridge University Pressen_US
dc.subjectCovid-19 pandemicen_US
dc.subjectfinancial impacten_US
dc.subjectcancelled performancesen_US
dc.subjectrecoveryen_US
dc.titleEditorial: Doing the Right Thingen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.1017/S0040298220000340-
dc.relation.isPartOfTempo (United Kingdom)-
pubs.issue294-
pubs.publication-statusPublished-
pubs.volume74-
Appears in Collections:Dept of Arts and Humanities Research Papers

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