Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/21415
Full metadata record
DC FieldValueLanguage
dc.contributor.authorIvnescu, A-
dc.date.accessioned2020-08-11T16:11:12Z-
dc.date.available2015-10-01-
dc.date.available2020-08-11T16:11:12Z-
dc.date.issued2015-10-
dc.identifier.citationThe Soundtrack, 2015, 8 (1-2), pp. 41 - 56en_US
dc.identifier.issn1751-4193-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/21415-
dc.format.extent41 - 56-
dc.language.isoenen_US
dc.publisherIntellecten_US
dc.subjectL.A. Noireen_US
dc.subjectappropriated musicen_US
dc.subjecthyperrealen_US
dc.subjectnarrativeen_US
dc.subjecttemporal signifieren_US
dc.subjectvideo gameen_US
dc.subjectvideo game musicen_US
dc.titleTorched song: The hyperreal and the music of L.A. Noireen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.1386/st.8.1-2.41_1-
dc.relation.isPartOfThe Soundtrack-
pubs.issue1-
pubs.publication-statusPublished-
pubs.volume8-
Appears in Collections:Dept of Arts and Humanities Research Papers

Files in This Item:
File Description SizeFormat 
FullText.pdf412.88 kBAdobe PDFView/Open


Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.