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Issue Date | Title | Author(s) |
---|---|---|
2012 | Adapting musicology's use of affect theories to contemporary theatre making: Directing Martin Crimp's attempts on her life | Campbell, A |
2010 | Moveable worlds/digital scenographies | Birringer, J |
2012 | This progressive production: Agency, durability and keeping it contemporary | Richards, M |
2011 | Clubbing masculinities: Gender shifts in gay men's dance floor choreographies | Peterson, GT |
2013 | Combining musical identities through composition and improvisation | Perks, Richard |
2013 | Bauhaus, constructivism, performance | Birringer, J |
2010 | Joining forces: engineering and arts students get physic(al) – problem solving strategies in the trans-school project | Richards, M |
2010 | The female bouffon | Ovalioglu, Nilufer |
2013 | Acting Brackets (from notes on directing Leslie Scalapino's Flow (Winged Crocodile) / The Trains) | Templeton, F |
2012 | Merleau-Ponty and neuroaesthetics: Two approaches to performance and technology | Broadhurst, S |
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