Please use this identifier to cite or link to this item:
http://bura.brunel.ac.uk/handle/2438/20146
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Paramana, K | - |
dc.date.accessioned | 2020-01-31T13:04:02Z | - |
dc.date.available | 2019-11-28 | - |
dc.date.available | 2020-01-31T13:04:02Z | - |
dc.date.issued | 2019-11-28 | - |
dc.identifier.citation | Performance Research, 2019, 24 (6), pp. 114 - 121 | en_US |
dc.identifier.issn | 1352-8165 | - |
dc.identifier.uri | https://bura.brunel.ac.uk/handle/2438/20146 | - |
dc.format.extent | 114 - 121 | - |
dc.language.iso | en | en_US |
dc.publisher | Taylor & Francis | en_US |
dc.title | The Animation of Contemporary Subjectivity in Tino Sehgal’s Ann Lee | en_US |
dc.type | Article | en_US |
dc.identifier.doi | https://doi.org/10.1080/13528165.2019.1686574 | - |
dc.relation.isPartOf | Performance Research | - |
pubs.issue | 6 | - |
pubs.publication-status | Published | - |
pubs.volume | 24 | - |
Appears in Collections: | Dept of Arts and Humanities Embargoed Research Papers |
Files in This Item:
File | Description | Size | Format | |
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FullText.pdf | Embargoed until 28 May 2021 | 148.82 kB | Adobe PDF | View/Open |
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