Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 106
| Issue Date | Title | Author(s) |
| 2014 | The turn to precarity in twenty-first century fiction | Morrison, J |
| 2010 | Resisting heteronormativity/resisting recolonisation: Affective bonds between indigenous women in southern Africa and the difference(s) of postcolonial feminist history | Spurlin, WJ |
| 2013 | 'Representing the very ethic he battled': Secularism, Islam(ism) and self-transgression in The Satanic Verses | Mondal, AA |
| 2013 | Aging reimagined: Exploring older women’s attitudes to aging through reader response | Morrison, J |
| 2011 | Hadithi ya Afrika: A collaborative project using dramatherapy and creative writing | Penny, S |
| 2009 | ‘The freedom of the city’: Mansfield and Woolf | Hubble, N |
| 2010 | The liminal persistence of interwar suburbs in the twenty-first century | Hubble, N |
| 2010 | Mass Observation Online (review article) | Hubble, N |
| 2011 | Introduction: Middlebrow London | Hubble, N |
| 2011 | "In the twentieth century, and the heart of civilisation”: The London of the Forsytes | Hubble, N |
| 2008 | Historical psychology, utopian dreams and other fool’s errands | Hubble, N |
| 2012 | John Sommerfield and mass-observation | Hubble, N |
| 2010 | The impossibility of sympathy | Gaston, S |
| 2010 | Introduction to adapting the nineteenth century: Revisiting, revising and rewriting the past | Cox, J |
| 2008 | Sensational realism? Jane Eyre and the problem of genre | Cox, J |
| 2011 | Derrida and the end of the world | Gaston, S |
| 2012 | The fables of pity: Rousseau, Mandeville and the animal-fable | Gaston, S |
| 2013 | Pure Mafia - a novel about child labour, plus thesis and commentary | Ahmad, Rohail |
| 2012 | ‘Dark Amelia’ a novel re-imagining historical characters within a fictional
story; and a critical thesis: ‘Inventing Shakespeare’: Is this relevant to 21st century writers? A short history of made-up Shakespeares and an examination of the challenge of re-inventing iconic historical characters.’ | O’Reilly, Sally Anne |
| 2009 | “Discover your own Ireland”: Virtual Ireland(s) for an international audience | Lynch, C |
| 2010 | "Unlike actors, politicians or eminent military men”: The meaning of hard work in working class autobiography | Lynch, C |
| 2010 | New essays on life writing and the body (Review) | Lynch, C |
| 2011 | Who do you think you are? Intimate pasts made public | Lynch, C |
| 2011 | Hypermasculinity and the hero in comic book fiction: This Is It | Connell, Daniel |
| 2009 | Metafiction, historiography, and mythopoeia in the novels of John Fowles | Buchberger, Michelle |
| 2002 | B. S Johnson | Tew, P |
| 2011 | Coming of age | Bazalgette, L; Holden, J; Tew, P; Hubble, N; Morrison, J |
| 2004 | Endangered bodies: Woman and nature in the contemporary British novel by women writers | Ford, Anna Jane |
| 2010 | Visual poetics: The art of perception in the poetry of Elizabeth Bishop and Sylvia Plath | Nader, Myrna |
| 2010 | Transforming the Law of One: Anne Sexton and Sylvia Plath from a Kristevan perspective | Khalifeh, Areen Ghazi |
| 2010 | Positive representation of Inns of Court lawyers in Jacobean city comedy | Westlake, David |
| 2007 | Addressing the problem: Gunn, Doty and the AIDS elegy | Fulton, D |
| 2010 | Walking in London: The fiction of Neil Bartlett, Sarah Waters and Alan Hollinghurst | Cleminson, Julie |
| 2007 | Hugo Williams, self-styled anglo-american poet | Fulton, D |
| 2010 | Heaven of hell: Representations of Ilford in the writings of Denise Levertov and Kathleen Raine | Fulton, D |
| 2001 | A holiday from high tone: Politics and genre in Andrew Davies' adaptation of Daniel Defoe's Moll Flanders | Fulton, D |
| 2000 | Pageants, processions and plays: Representations of royal and state power and the common audience in early modern England | Leahy, William Jarleth |
| 2008 | The origins of intermodernism in Ford Madox Ford’s parallax view | Hubble, N |
| 2006 | Beyond mimetic Englishness: Ford’s English trilogy and the good soldier | Hubble, N |
| 2005 | Five English disaster novels, 1951-1972 | Hubble, N |
| 2002 | Imagined and imaginary whales: Benedict Anderson, Salman Rushdie and George Orwell | Hubble, N |
| 2007 | Virtual histories and counterfactual myths: Christopher Priest's the separation | Hubble, N |
| 2008 | Islam and multiculturalism: Some thoughts on a difficult relationship | Mondal, A |
| 2009 | The Shakespeare authorship question – A suitable subject for academia | Leahy, WJ |
| 2004 | Romanticism and the spectres of disinterest | Gaston, S |
| 2003 | Lévinas, disinterest and enthusiasm | Gaston, S |
| 2002 | Derrida and the ruins of disinterest | Gaston, S |
| 2007 | "For pure need": Violence, terror and the common people in Henry VI, part 2 | Leahy, WJ |
| 2003 | Propaganda or a record of events? Richard Mulcaster’s the passage of our most Drad Soveraigne Lady Quene Elyzabeth through the Citie of London Westminster the daye before her coronacion | Leahy, WJ |
| 2002 | “All would be royal”: The effacement of disunity in Shakespeare’s Henry V | Leahy, WJ |
Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 106
