Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/16682
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dc.contributor.authorMartin, W-
dc.contributor.authorPilcher, K-
dc.contributor.editorMcmullan, G-
dc.contributor.editorAmigoni, D-
dc.date.accessioned2018-08-07T13:24:51Z-
dc.date.available2018-08-07T13:24:51Z-
dc.date.issued2018-
dc.identifier.citationBeyond Late Style: Rethinking Late-Life Creativity, in pressen_US
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/16682-
dc.description.abstractVisual images are omnipresent within our daily lives. Visual culture has gained prominence in the 21st century due to technological and digital developments, the prominence of consumer culture and an increase and proliferation of contemporary media. In this context, the visual increasingly permeates significant aspects of our everyday lives, social identities, lifestyles, communications and societies (Pink, 2001). The visual has therefore become ever more present within people’s social worlds as they grow older. The importance of the visual is further associated with the emergence of Cultural Gerontology (Twigg and Martin, 2015a; 2015b). Whilst the Cultural Turn may have come quite late to ageing studies - due to a previous focus on medicine, social welfare and policy issues - in the last decade cultural perspectives have increasingly influenced the field, with new theorising, new methodologies, and new subject areas evident (Twigg and Martin 2015a; 2015b).en_US
dc.language.isoenen_US
dc.publisherRoutledgeen_US
dc.titleVisual Diaries, Creativity and Everyday Lifeen_US
dc.typeBook chapteren_US
dc.relation.isPartOfBeyond Late Style: Rethinking Late-Life Creativity-
pubs.publication-statusAccepted-
pubs.volumein press-
Appears in Collections:Dept of Health Sciences Embargoed Research Papers

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