Towards meaningful spaces: reclaiming cultural context to its inhabitants in GCC cities through the conceptual phase of urban design process

Abstract

The motive of the present thesis has been the realization of lack of cultural impact and meaningful representation within public open urban spaces that fall in between areas of urban planning and construction in the GCC cities. In pursuit of aiding towards the reclamation of meaningful spaces, this study demonstrates methods of providing a framework of cultural context design during the conceptual phase of the urban planning process. In doing so, the emphasis falls both on public users’ and professionals’ opinions and perception regarding cultural elements, physical experience and design processes that take place within the Gulf Cooperation Council (GCC) cities. The understanding and framework of levels of comprehension and awareness of cultural implementation derives from the theory of the Circuit of Culture, resulting both in an epistemological contemplation of the existing situation and the inter-relationship between culture and design. Meanwhile, the study of the elements that define the Circuit of Culture starts to form a strong cultural reference point for the future amelioration of definition of strong identity in-between spaces, within the urban context. The elements of this theory are based on the five aspects of Production, Identity, Regulation, Consumption and Representation. The implementation of these cultural elements are drawn in reference to the Double Diamond design model, considering its four aspects of discovery, definition, development and delivery, where the first two stages make up the conceptual phase, and the latter two stages make up the implementation phase of design. Therefore, while the thesis stresses the problem of cultural identity of in-between and vacuum spaces of the GCC cities, it suggests the Circuit of Culture as a method for reinforcing a thorough cultural consideration within the conceptual phase of design (discovery and definition). The thesis seeks to develop the process of design integration through an evolving methodological approach for studying the cultural development and cultural concern of urban spaces that fall in-between well planned schemes. In this work, cultural identity and cultural representation are of fundamental importance.