Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/12543
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dc.contributor.authorPolymenopoulou, E-
dc.date.accessioned2016-04-20T15:03:32Z-
dc.date.available2016-
dc.date.available2016-04-20T15:03:32Z-
dc.date.issued2016-
dc.identifier.citationHuman Rights Law Review,16(3), (2016)en_US
dc.identifier.issn1744-1021-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/12543-
dc.description.abstractIn a series of cases decided over the last few years, the European Court of Human Rights has been increasingly vindicating artistic freedom. It has been expanding the meaning of ‘satire’ as a form of art; excluding the protection of religious sensibilities from the scope of article 9; and gradually referring to the defence of ‘fiction’ in literature cases. Yet, a more careful analysis of the Court’s case-law does not suggest that art holds a privileged status among other forms of expression. It rather suggests that the Court, albeit tacitly, operates a certain hierarchy of values: on the one hand, by privileging liberal – and secular– values, and on the other, by being mindful to preserve the States’ margin of appreciation in issues touching upon public morality and public order. The paper submits that the Court could substantially benefit from an explicit consideration of defences for artists and writers.en_US
dc.language.isoenen_US
dc.publisherOxford University Press (OUP)en_US
dc.subjectArtistic freedomen_US
dc.subjectFictionen_US
dc.subjectFreedom of expressionen_US
dc.subjectPublic moralityen_US
dc.subjectReligious sensibilitiesen_US
dc.subjectArticle 10 European Convention on Human Rightsen_US
dc.titleDoes one swallow make a spring? Artistic and literary freedom at the European Court of Human Rightsen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.1093/hrlr/ngw011-
dc.relation.isPartOfHuman Rights Law Review-
pubs.issue3-
pubs.publication-statusAccepted-
pubs.volume16-
Appears in Collections:Brunel Law School Research Papers

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