Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/11823
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dc.contributor.authorLockyer, S-
dc.date.accessioned2016-01-11T10:48:32Z-
dc.date.available2016-01-11T10:48:32Z-
dc.date.issued2015-11-27-
dc.identifier.citationLockyer, S. (2015) 'From comedy targets to comedy-makers: disability and comedy in live performance', Disability & Society, 30 (9), pp. 1397-1412. doi: 10.1080/09687599.2015.1106402.en_US
dc.identifier.issn0968-7599-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/11823-
dc.description.abstractThe stand-up comedy landscape has been transformed in recent years with an increased number of disabled comedians performing. Via semi-structured interviews with disabled comedians, this article provides a thematic analysis of the material and ideological motives, intentions and lived experiences of disabled comedians. Two themes are discussed - comedy management and control; and affirming disability through comedy. These themes are characterised by complexity and contradictions. The article concludes that, although not a straightforward process, stand-up comedy enacted by disabled comedians is potentially a powerful tool through which hegemonic norms around disability can be challenged and renegotiated.en_US
dc.format.mediumPrint-Electronic-
dc.language.isoenen_US
dc.publisherTaylor & Francis (Routledge)en_US
dc.subjectdisabled comediansen_US
dc.subjectstand-up comedyen_US
dc.subjectmanagement and controlen_US
dc.subjectaffirming disabilityen_US
dc.titleFrom Comedy Targets to Comedy-Makers: Disability and Comedy in Live Performanceen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1080/09687599.2015.1106402-
dc.relation.isPartOfDisability and Society-
pubs.publication-statusPublished-
dc.identifier.eissn1360-0508-
Appears in Collections:Sociology
Dept of Social and Political Sciences Research Papers

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