The Male Dancer: Spectacle, Bodies, Sexuality by Ramsay Burt.

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/11604

Full metadata record

DC Field	Value	Language
dc.contributor.author	Peterson, GT	-
dc.date.accessioned	2015-11-16T16:22:36Z	-
dc.date.available	2015-11-16T16:22:36Z	-
dc.date.issued	2009	-
dc.identifier.citation	Platform: Postgraduate Journal of Theatre & Performing Arts, 4 (1), 2009	en_US
dc.identifier.uri	https://pure.royalholloway.ac.uk/portal/en/publications/the-male-dancer-spectacle-bodies-sexuality-by-ramsay-burt(07cbe684-4c70-4239-b8ed-814336057d21).html	-
dc.identifier.uri	http://bura.brunel.ac.uk/handle/2438/11604	-
dc.description.abstract	Euripides’ Herakles is a structurally challenging play, with a family-in-peril first movement that seems to be resolved by the timely return of a triumphant Herakles. This comfortingly predictable narrative is shattered by the appearance of Iris (Hera’s vengeful emissary) and Lyssa (‘frenzy’), who transform the returned Herakles into a crazed, delusional killer who murders his own wife and children.	en_US
dc.language.iso	en	en_US
dc.publisher	Royal Holloway, University of London	en_US
dc.subject	Book Review	en_US
dc.title	The Male Dancer: Spectacle, Bodies, Sexuality by Ramsay Burt.	en_US
dc.type	Article	en_US
dc.relation.isPartOf	Platform: Postgraduate Journal of Theatre & Performing Arts	-
pubs.issue	1	-
pubs.publication-status	Published	-
pubs.publication-status	Published	-
pubs.volume	4	-
Appears in Collections:	Dept of Arts and Humanities Research Papers

Files in This Item:

File	Description	Size	Format
Fulltext.pdf		162.01 kB	Adobe PDF	View/Open