Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/11395
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dc.contributor.authorChow, BDV-
dc.contributor.authorLaine, E-
dc.date.accessioned2015-09-23T11:01:33Z-
dc.date.available2014-06-30-
dc.date.available2015-09-23T11:01:33Z-
dc.date.issued2014-
dc.identifier.citationChow, B.D.V. and Laine, E. (2014) 'Audience affirmation and the labour of professional wrestling', Performance Research, On Affirmation, 19 (2), pp. 44-53. doi: 10.1080/13528165.2014.928516.en_US
dc.identifier.issn1352-8165-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/11395-
dc.description.abstractProfessional wrestling presents a simulacrum of grappling and combat sport practices with ancient roots, framed by serial narratives of rivalry, jealousy and deceit that present a simplistic moral universe. [{note}]1 Situated between sport and theatre, the audience has a large and active role in the spectacle, participating as if the results of the matches were not determined before the performers enter the ring. Professional wrestling exaggerates the imperative to perform -- the sentiment that the ‘show must go on.’ After all, it is as if there were something at stake for the spectators, and their gestures of affirmation often encourage excessive work and labour on the parts of the wrestlers. Fans cheer when wrestlers bleed. Risky leaps are rewarded with admiring chants.en_US
dc.format.extent44 - 53-
dc.language.isoenen_US
dc.publisherTaylor and Francisen_US
dc.subjectprofessional wrestlingen_US
dc.subjectaudienceen_US
dc.subjectwrestlersen_US
dc.subjectaudience affirmationen_US
dc.titleAudience affirmation and the labour of professional wrestlingen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1080/13528165.2014.928516-
dc.relation.isPartOfPerformance Research-
pubs.editionOn Affirmation-
pubs.issue2-
pubs.publication-statusPublished-
pubs.volume19-
Appears in Collections:Dept of Arts and Humanities Research Papers

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