Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/11204
Full metadata record
DC FieldValueLanguage
dc.contributor.authorKing, GR-
dc.contributor.editorPerkins, C-
dc.contributor.editorVerevis, C-
dc.date.accessioned2015-07-29T10:23:04Z-
dc.date.available2015-
dc.date.available2015-07-29T10:23:04Z-
dc.date.issued2015-
dc.identifier.citationIn US Independent Film After 1989: Possible Films. Editors: Perkins C, Verevis C. 145-153. Edinburgh University Press, Edinburgh 2015en_US
dc.identifier.isbn9780748692446-
dc.identifier.urihttp://www.euppublishing.com/book/9780748692446-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/11204-
dc.description.abstractShane Carruth’s Primer (2004) is in many respects a model example of the kind of micro-budget indie filmmaking that displays what might be termed a home-made quality, a long way from the glossy productions of Indiewood or even of larger-funded but still fully independent productions.en_US
dc.format.extent20-
dc.format.extent145 - 153-
dc.language.isoenen_US
dc.publisherEdinburgh University Pressen_US
dc.titlePrimer (2004): A Primer in First-Time Indie Filmmakingen_US
dc.typeBook chapteren_US
dc.relation.isPartOfUS Independent Film After 1989: Possible Films-
pubs.place-of-publicationEdinburgh-
Appears in Collections:Dept of Social and Political Sciences Research Papers

Files in This Item:
File Description SizeFormat 
Fulltext.docxFile is embargoed until 01/03/2018121.16 kBUnknownView/Open
FullText.pdf50.06 kBAdobe PDFView/Open


Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.