Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/11015
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dc.contributor.authorBirringer, J-
dc.contributor.editorSiemens, E-
dc.coverage.spatialCanada-
dc.coverage.spatialCanada-
dc.date.accessioned2015-06-15T15:41:39Z-
dc.date.available2014-
dc.date.available2015-06-15T15:41:39Z-
dc.date.issued2014-
dc.identifier.citationTranscUlturAl: A Journal of Translation and Transcultural Studies, 6(1): 84 - 91, (2014)en_US
dc.identifier.issn1920-0323-
dc.identifier.urihttp://ejournals.library.ualberta.ca/index.php/TC/article/view/23312-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/11015-
dc.description.abstractA short critical fiction, derived from my experience of the demolition of my studio & home on Joe Annie Street, Houston, TX, placed in the context of a political/philosophical reflection on the "destructive character" (Benjamin) and the performative illusions or self delusions of street protest and street art in times of war.en_US
dc.formatelectronic-
dc.formatelectronic-
dc.format.extent84 - 91 (7)-
dc.languageenglish-
dc.language.isoenen_US
dc.publisherUniversity of Albertaen_US
dc.subjectTranslationen_US
dc.subjectCultural Studiesen_US
dc.subjectStreet arten_US
dc.subjectPoetryen_US
dc.title"Joe Annie Street"en_US
dc.typeArticleen_US
dc.relation.isPartOfTranscUlturAl: A Journal of Translation and Transcultural Studies-
pubs.editionTranslating Street Art-
pubs.editionTranslating Street Art-
pubs.issue1-
pubs.issue1-
pubs.noteshttp://www.brunel.ac.uk/dap-
pubs.noteshttp://www.brunel.ac.uk/dap-
pubs.publication-statusPublished-
pubs.publication-statusPublished-
pubs.volume6-
pubs.volume6-
Appears in Collections:Dept of Arts and Humanities Research Papers

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