Natio et gens: Venice biennale 2009

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/10704

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DC Field	Value	Language
dc.contributor.author	Broadhurst, S	-
dc.contributor.author	Harvey, N	-
dc.date.accessioned	2015-04-30T14:41:03Z	-
dc.date.available	2010	-
dc.date.available	2015-04-30T14:41:03Z	-
dc.date.issued	2010	-
dc.identifier.citation	Body, Space and Technology, 2010, 9 (1)	en_US
dc.identifier.issn	1470-9120	-
dc.identifier.uri	http://bura.brunel.ac.uk/handle/2438/10704	-
dc.description.abstract	The following is an informal reflection on the changing place of nationality and national consciousness in cultural life with reference to last year’s Biennale. Having drawn tentative inferences regarding the roles of these, we offer a selective review of what appear to us to be the most memorable national representations. These in turn suggest a paradoxical benefit which an awareness of localised histories may bring to artistic production.	en_US
dc.language.iso	en	en_US
dc.publisher	Body Space and Technology	en_US
dc.subject	National representations	en_US
dc.subject	Nationality	en_US
dc.subject	National consciousness	en_US
dc.title	Natio et gens: Venice biennale 2009	en_US
dc.type	Article	en_US
dc.relation.isPartOf	Body, Space and Technology	-
pubs.issue	1	-
pubs.issue	1	-
pubs.volume	9	-
pubs.volume	9	-
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