Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/10321
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dc.contributor.authorHubble, N-
dc.date.accessioned2015-03-03T14:33:58Z-
dc.date.available2015-
dc.date.available2015-03-03T14:33:58Z-
dc.date.issued2015-
dc.identifier.citationLiterature and History, 24(1): (2015)en_US
dc.identifier.issn0306-1973-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/10321-
dc.description.abstractThe interwar literary and cultural politics of Britain were shaped crucially by the influence of the Russian Revolution and the emergence of the Communist Party. Without their presence there would have been no ‘Auden generation’, no Popular Front and Britain might not even have participated in the Second World War. However, the centrality of Communism to the period’s significance raises a problem for the academic study of the literary and cultural politics of the 1930s and the Popular Front. The advent of the Cold War from the late 1940s onwards created an environment in which Communism and Communist cultural politics were coded as mistaken at best and hostile at worst. As a consequence, the study of the more neutral and abstract forms of high modernism flourished.en_US
dc.language.isoenen_US
dc.publisherManchester University Pressen_US
dc.titleLooking back on the 1930s without being anti-communist: Cornford, Orwell, Spender, Sommerfielden_US
dc.typeArticleen_US
dc.relation.isPartOfLiterature and History-
dc.relation.isPartOfLiterature and History-
pubs.issue1-
pubs.issue1-
pubs.volume24-
pubs.volume24-
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Appears in Collections:Dept of Arts and Humanities Research Papers

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