Brunel University Research Archive(BURA) preserves and enables easy and open access to all
types of digital content. It showcases Brunel's research outputs.
Research contained within BURA is open access, although some publications may be subject
to publisher imposed embargoes. All awarded PhD theses are also archived on BURA.
Browsing by Author Broadhurst, S
Showing results 1 to 16 of 16
| Issue Date | Title | Author(s) |
| 14-Feb-2022 | The Dello Scompiglio Project and Camera #3 (Chamber 3) | Broadhurst, S |
| 2015 | Digital performance: how representations of physical and virtual bodies inform identity construction/deconstruction | Ren, Helenna |
| 2012 | Einstein on the beach: A study in temporality | Broadhurst, S |
| 2018 | Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde | Broadhurst, S |
| 5-Mar-2021 | ‘Hybridity and Experimental Aesthetics in the Performances of Anne Imhof’ | Broadhurst, S |
| 2001 | Interaction, reaction and performance: The human body tracking project | Broadhurst, S |
| 5-Feb-2024 | Intermediality, Hybridity, and Disruption, in the Operas of Wagner and Verdi | Broadhurst, S; Harvey, NM |
| 2017 | Introducing neo-surrealism: The social science of performance art | Puentes, Kalid |
| 2019 | László Moholy-Nagy’s "Theatre of Totality": A Precursor to Digital Performance | Broadhurst, S |
| 2012 | Merleau-Ponty and neuroaesthetics: Two approaches to performance and technology | Broadhurst, S |
| 2017 | Metakimospheres | Birringer, J |
| 2012 | Metamorphosis: Titian 2012 | Broadhurst, S |
| 2010 | Natio et gens: Venice biennale 2009 | Broadhurst, S; Harvey, N |
| 4-Apr-2018 | A tale of three cities 2017: Art basel, venice biennale, frieze london | Harvey, N; Broadhurst, S |
| 2014 | Theorising performance and technology: Aesthetic and neuroaesthetic approaches | Broadhurst, S |
| 2014 | Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performance | Macias-Gutierrez, Elizabeth |
